Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Jean Honore Fragonard
The musical lesson

ID: 90854

Jean Honore Fragonard The musical lesson
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Jean Honore Fragonard The musical lesson


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Jean Honore Fragonard

1732-1806 French Jean Honore Fragonard Locations French painter. He studied with François Boucher in Paris c. 1749. He subsequently won a Prix de Rome, and while in Italy (1756 ?C 61) he traveled extensively and executed many sketches of the countryside, especially the gardens at the Villa d Este at Tivoli, and developed a great admiration for the work of Giovanni Battista Tiepolo. In 1765 his large historical painting Coresus Sacrifices Himself to Save Callirhoë was purchased for Louis XV and won Fragonard election to the French Royal Academy. He soon abandoned this style to concentrate on landscapes in the manner of Jacob van Ruisdael, portraits, and the decorative, erotic outdoor party scenes for which he became famous (e.g., The Swing, c. 1766). The gentle hedonism of such party scenes epitomized the Rococo style. Although the greater part of his active life was passed during the Neoclassical period, he continued to paint in a Rococo idiom until shortly before the French Revolution, when he lost his patrons and livelihood.   Related Paintings of Jean Honore Fragonard :. | Le petit parc | Coresus Sacrificing himselt to Save Callirhoe | Le chat angora | The lock | Psyche Showing Her Sisters her gifts From Cupid |
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mattsleiderstam
Adolf Ludvig Stierneld, född den 1 september 1755 i Stockholm död den 31 juli 1835 på Gripsholm, var en svensk friherre, politiker, hovman och samlare av historiska dokument, vilken av senare historisk forskning avslöjats som en av Sveriges mest förslagna och produktiva dokumentförfalskare. Stierneld var son till Samuel Gustaf Stierneld, vilken var chef för Västmanlands regemente, och vilken lär ha antecknat sitt regemente bland den nyföddes faddrar. Sonen inskrevs även endast sex månader gammal som volontär i samma kår. Oaktat denna militärståtliga början hann sonen ej längre än till ryttmästare vid livregementet, vartill han utnämndes 1781. Inom hovet anställdes Stierneld som kammarherre hos drottning Sofia Magdalena 1778. Han kom dock snart på mindre vänlig fot med Gustav III och tillhörde vid 1786 och 1789 års riksdagar ledarna för oppositionen inom adelsståndet. När kungen beredde sig att genomföra sina envåldsplaner, hörde Stierneld till de motståndare som arresterades. Till följd av sina förbindelser med ryske ministern hade han åsamkat sig konungens synnerliga ovilja, och när de övriga arresterade frigavs, sändes Stierneld till Varbergs fästning, där han kvarhölls till 1790. Genom sitt 1790 ingångna giftermål med grevinnan Kristina Charlotta Gyldenstolpe, dotter till Gustav III:s gunstling Nils Philip Gyldenstolpe, kom Stierneld snart åter på mera vänlig fot med hovet och blev 1792 överkammarherre. Vid riksdagen 1800 sågs han också, i likhet med andra ur 1789 års opposition (Magnus Fredrik Brahe, Claes Axel Lewenhaupt med flera) i hovpartiets främsta led.
John sturgess
fl.1864-1903 was a hunting and racing artist and lithographer who worked mainly for the Illustrated London News between 1875 and 1885, and also exhibited widely in the London galleries, in particular at the Royal Society of British Artists and also at the Royal Hibernian Society in Dublin. He was known for being an accomplished illustrator of books and magazines, but is probably best remembered for his portrait of Blair Athol, the winner of the Derby in 1864.
ZEILLER, Jakob Johann
German painter (b. 1708, Reutte, d. 1783, Reutte) Austrian painter. Trained initially by his father, Paul Zeiller (1658-1738), he subsequently studied in Italy (1723-32) with Sebastiano Conca and at the Accademia di S Luca in Rome, and with Francesco Solimena in Naples, then at the Kaiserliche Akademie in Vienna. From 1733 to 1743 he was a regular collaborator on Paul Troger's frescoes, contributing mainly architectural frameworks painted in the style of the Bolognese quadraturisti. He retained such frameworks in his own paintings throughout his life, even in south Germany where this was generally unusual. Troger's influence on the style of Zeiller's figures and on his iconographic repertory was such that his first independent works in Austria






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